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Then I load the DDP file in Player Maker and send the client a DDP player where he can also export all available formats.Įxactly.
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I work all the way at 96K (the metadata is applied from the get go inside reaper with markers) export and SRC with finalCD and reimport the SRCed files inside the same project of reaper.then it is just a case of changing the preferences to 44100 and I am good to go.(then it's DDP export at the touch of a button and QC) I do the same thing more or less, the only difference being I do not have to use another application, like wavelab for instance.
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Then you can use an external SRC of your choice to SRC the source files from REAPER (or wherever), and WaveLab will mirror everything about that project when use use "custom montage duplicate". Then of course you can render your hi-res WAVs. There is more than one way to use it but the concept is that you create the project just once at the highest available sample rate. The solution in WaveLab is the custom montage duplicate option. If I could get a workaround for that in HOFA, I'd consider the upgrade. Which is reaaaally frustrating and annoying. This works in some regards: track markers remain intact (though sometimes need to be tweaked to match up with cd frames), and the file names remain intact.īut.all the metadata and tags need to be reapplied. Then I downsample/dither in RX7 and import it back to a new 4416 or 4824 HOFA file, as needed.
#Hofa cd burn ddp master license license#
I read that Justin P and a few other guys here have come to the same conclusion, so here's to hoping Hofa or Wavelab or DSP Quattro license SRC from Weiss, Izotope or SoX, letting us use one app to render multiple outputs.Lately i've been exporting in 3296, assembling in HOFA, putting in metadata and tags, and then exporting the project as a single wav file. I have tried Hofa's SRC and while its not bad, I still prefer Saracon and RX7, and I cant master a record at 96khz and then use a SRC algorithm that I know is even slightly inferior to something else that I have. Import to Saracon for batch conversion down to 1644 or whatever the output is. Additional system requirements: ASIO-comp.I think the work around is as you'd expect.
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Celemony Melodyne essential, iZotope Ozone 9 Elements and RX8 Elements, Steinberg SpectraLayers Pro 7 and Sound Forge Pro 14
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